I’ve been writing children’s books all my adult life. That means trying to find ways to communicate exactly what I’m imagining. I love words and stories. As a teenager, I wrote down my favourite words and carried them around with me. When I had children, I was fascinated by how fast they learned to make themselves understood, with and without words. The words we choose are important – but they’re only one way to communicate. What about pictures? Body language? Online media? Pheromones? The signals animals and plants give out? The more I learn about communication, the more fascinating it becomes.
Imagine leaving your family and moving, on your own, to a place, where you can’t understand the language or the culture or even the buildings. A place where everything is utterly strange. The Arrival doesn’t just describe what that’s like. It allows you to experience it for yourself. And it explores how people can still communicate, even without shared language or culture. It’s a brilliant book - subtle and moving and full of hope. And it does all that without using a single word.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
I’ve always loved observing children as they learn to speak. But I never understood what a triumph that is until I read Stephen Pinker’s book. He explores a huge range of topics, including what we can learn from the mistakes children make, how languages develop, brain imaging, major ideas in philosophy, computer speech simulation, Noam Chomsky’s ideas about linguistics, and genetic research. And he does all that by focusing on regular and irregular verbs. Sounds dull? Think again. It’s a fascinating book.
How does language work? How do children learn their mother tongue? Why do languages change over time, making Shakespearean English difficult for us and Chaucer's English almost incomprehensible? Why do languages have so many quirks and irregularities? Are they all fundamentally alike? How are new words created? Where in the brain does language reside?In Words and Rules , Steven Pinker answers these and many other questions. His book shares the wit and style of his classic, The Language Instinct , but explores language in a completely different way. In Words and Rules , Pinker explains the profound mysteries of language…
I like science fiction when it’s about big ideas and they don’t come much bigger than this. Imagine a world where the alien inhabitants are incapable of lying. They can’t even use figures of speech, like similes, unless someone has acted out what they want to use as a comparison. (Avice, the girl who ate what was given to her, is the human simile who narrates the story.) Sounds idyllic? Maybe – until you start thinking about how you’d make plans, or discuss ideas. This isn’t an easy read, but it’s fascinating and it made me think hard.
Winner of the Locus Award for Best Science Fiction Novel, China Mieville's astonishing Embassytown is an intelligent and immersive exploration of language in an alien world.
Embassytown: a city of contradictions on the outskirts of the universe.
Avice is an immerser, a traveller on the immer, the sea of space and time below the everyday, now returned to her birth planet. Here on Arieka, humans are not the only intelligent life, and Avice has a rare bond with the natives, the enigmatic Hosts - who cannot lie.
Only a tiny cadre of unique human Ambassadors can speak Language, and connect…
I knew that animals communicate with each other, and I’ve read some intriguing books about how trees seem to communicate, but – fungi? That was a completely new idea to me. This book explores topics like how fungi influence humans and animals (with some creepy stuff about insects), the ‘Wood Wide Webs’ which link fungi, bacteria, plants, and trees, and the role mycorrhizal fungi played in the development of life on earth. We’re all connected. Once you’ve read it, a woodland walk will never be the same again!
NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems.
“Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of I Contain Multitudes
ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday
The Discworld books are the best kind of serious play, exploring aspects of our everyday world by turning them upside down, filling them with dwarfs and vampires, and embedding them in a non-stop action story – which somehow manages to say intelligent and important things about the central topic. Going Postal is about a clash between Ankh-Morpork’s government-run Post Office and the privately-owned clacks service (like email but with different technology). Both sides get a fair shot and the conflict is resolved by an almost magical piece of communication by a trickster who understands the magic of language.
A beautiful new hardback edition of the classic Discworld novel.
Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put Ankh-Morpork's ailing postal service back on its feet.
It was a tough decision.
But he's got to see that the mail gets though, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, the evil chairman of the Grand Trunk Semaphore Company, and a midnight killer.
Getting a date with Adora Bell Dearheart would be nice, too.
Could I manage as well as they do? That’s the question that made me write After Tomorrow. I’d been learning about refugees in Chad, and how they cope with living in camps. Suddenly I thought, Suppose it was me? And then (because I’m a storyteller) Suppose it was a boy called Matt, who’s good at mending bikes…?
What if the pound collapsed and money stopped working? What if people started fighting over food? Would Matt and his family escape through the Channel Tunnel? What would happen when they arrived in France as refugees? I researched hard, to make sure the story was as realistic as possible. And the more I learned, the more scarily plausible it seemed…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
